Kingdom of Heaven (Director’s Cut) [Blu-ray]
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Among the best directors of our time, Ridley Scott (Gladiator), contributes generously to this extraordinary Collector’s Edition of Kingdom of Heaven. Featuring his Director’s Cut of the film and hours of fascinating extras ? including a six-part tour from conception to completion of filmmaking ? this definitive set makes what Variety called a “genuinely spectacular” film even more so! An epic marvel that’s as beautifully acted as it is visually awesome, Kingdom of Heaven stars Orlando Bloom as
Kingdom of Heaven (Director’s Cut) [Blu-ray]
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wait for it,
UPDATE: I originally wrote the following because of the notice that there would be an eventual extended edition of the movie. The update is that Amazon.com now has a listing for said extended edition that comes in at 191 minutes and is to be released on 23 May 2006.
I wrote a review for the theatrical release of this film which I will post below if you are curious what I think. I really wanted to just point out that if you enjoyed this film, you might not want to purchase this version. Back when the movie was first released in theatres, Ridley Scott was interviewed and stated that there was almost an hour taken from the movie. He also said there would be a director’s cut that would have that material restored. Its not being released now, presumably, so that the studios can get their double dip. Look at Sin City (the “longer extended cut” comes out in December 3 months from its original release date) or Saw which is coming unrated this month to support the sequel. It happens all the time.
Overall, I think the film is decent and I am curious to see what was cut out. I just don’t want people who are interested to waste their hard-earned dollars because the studio wants to double dip. Take what I’m saying as a grain of salt because things can change and I’m no “insider” so I can’t say for absolute certainty that they will release the director’s cut, but there is an interview out there with Scott about the director’s cut. So, my recommendation (take it for what you will)? If you enjoyed the movie but wanted more, wait for the inevitable directors cut
For those interested, my original review for the theatrical release is pasted below:
When epic films come out, people usually fall into two categories without even seeing the movie: they are excited to see it or they roll their eyes and yawn. I happen to fall into the first category. Epic historical war films like Gladiator, Troy and now Kingdom of Heaven (just to name a few) are a lot of fun to me. There’s nothing like seeing boulders of flames lighting the night sky as they explode into castle towers, etc.
From what I’ve gathered through the media and through friends of mine who are history buffs, the film is pretty accurate as far as movie epics goes; I am not a history buff so I couldn’t tell you. Ridley Scott does a good job of mixing fictional (Orlando Bloom’s Balian) and historical (The leper king, played by Edward Norton in an excellently subdued role). Complimenting the battle sequences is a rousing score by Harry Gregson-Williams who has done everything from the video game Metal Gear Solid 2 to Shrek. They also sample a song from the Prayer Cycle by Johnathan Elias which is achingly beautiful. Overall the sound fits the theme and the time period admirably well.
The story is pretty standard epic film stuff. You have the unwitting hero, the possible love interest, the possible love interest’s evil husband, all engulfed in the massive Crusades that are tearing apart Jerusalem. One thing I am glad for is that I feel Ridley Scott and screenwriter William Monahan did a more accurate portrayal of the Crusades by showing not only the religious side of events but also the socio-political and economical themes that pushed the war forward.
I think Orlando Bloom has been criticized perhaps too strongly in this movie. Most professional reviews comment that he is too “pretty boy” for the role. It’s almost as if critics are trying to pigeon hole him and type cast him into that role. I’m not trying to defend Orlando Bloom, but it never really struck me as the “fish out of water” character casting that professional critics are demanding it is. Sure, he relied on the look of a puppy dog who’s lost his best friend a little much, and yeah he has that “pretty boy” look I suppose but come on, if you don’t allow someone to do something different, you’re just reinforcing his type cast which leads to a vicious cycle.
You might feel that even though the movie is a good 2 hours and 25 minutes that it felt like something was missing. And, that’s probably because something was missing, about 80 more minutes. In an interview with Ridley Scott, he mentioned that the theatrical cut is not his cut and that he was planning on releasing a directors cut on DVD that encompasses an amazing 220 minutes. I suppose the production company decided they didn’t want to have an almost 4 hour movie in the theatres right now and so decided to chop sometime off, but according to reports with Ridley Scott that’s not what he wanted to happen exactly.
Going with the cuts and the story, I think part of what was left out might have been more of Saladin’s point of view. It seemed as if the movie wanted to show both sides as there were moments were we saw dissent on the Arab side as well as a hint of some motives. I’m hoping that this was something we’ll see more of in…
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|Too bad it didn’t do better at the box office,
I really enjoyed the theatrical cut, and now, get ready for all the nice storylines that were deleted. What you’ll see on the director’s cut (referenced from AICN) SPOILERS AHEAD!!:
- did you realize that the priest at the beginning is actually the half-brother of Balian (Orlando Bloom)? Their relationship is much more complicated and unpleasant in this version, and we learn that Balian is in jail following his wife’s death, thanks to his brother’s claim that he is possessed by the devil.
- We also learn that Balian was an engineer before he became a blacksmith, that he built war machines when he was part of an army, and he’s released from prison because the local lord needs Balian’s help. So much more work is put into the establishment of Balian’s character that by the time we actually meet him in the film now, we have a sense of who he is.
- The lord that Balian works for? Turns out, he’s Neeson’s brother, and when Godfrey shows up in the village, he’s coming home. There’s an entire scene that takes place at the castle where it’s clear that his absence made it possible for his brother to take over, something that his brother doesn’t want to see change. Since Godfrey has no heir, if he dies, then his new lands also become the property of the brother, something that makes more sense of the battle scenes involving Neeson and his group of soldiers.
- When Neeson goes to talk to Balian the first time, he stops at the door to the smith’s shop, looking out at a particular spot. He flashes back to when he was younger, to when he was with Balian’s mother, and that one moment says all we need to know about the particular paradise that Godfrey seeks and that he knows he’ll never find again. It explains so much about why he would want to come and make amends and reach out to Balian. He’s looking for absolution, and he figures he can find it this way, and the film shows us instead of just telling us.
- Baldwin IV is shown refusing the last sacrament from Patriarch Heraclius.
- Another major change is the re-insertion of the character of Baldwin V (who was shown in some of the trailers), here depicted as the son of Sibylla by Guy. He is portrayed as suffering from leprosy, like his uncle. His death is depicted as an act of euthanasia by his mother, using poison.
- Balian also fights a climactic duel with Guy.
- Additionally, Eva Green’s role as the Queen has been expanded, and she’s not there just for Orland Bloom’s sexual interest.
- More insight into absolution, forgiveness, and politics in this time period.
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|Exceptional presentation for an exceptional film that was butchered previously,
(Please note: This is for the 4 disc director’s cut–for some reason this is combined with ALL versions of the movie including the Blu-ray. The Blu-ray features ONLY the first two discs of this set on one Blu-ray disc. None of the discs with extras are included as part of the package).
Sometimes longer is better particularly when you have a complex story. The theatrical version of “Kingdom of Heaven” was flawed from the beginning with significant narrative gaps that undermine the character development and the smooth momentum of the story. That’s because Fox had Scott cut the film by nearly an hour deleted significant and important character development at the expense of trying to fit in more showings per theater. The result was a sprawling ambitious project that had the epic scope of “Lawrence of Arabia” without the narrative strength. Thank God for DVD. “Kingdom of Heaven: The Director’s Cut” restores the material demonstrating that the original 3 hour cut was a brilliant film that played theatrical late last year after the film had bombed at the box office. The reason the film bombed was the idiotic decision to cut the film and make it shorter reducing the film’s impact. While it might not have made a huge amount of money it would have done well at the box office as a prestige film AND would have deservedly been nominated for Oscars. Much of the background story is fleshed out and the relationships between the various characters are more clearly defined. “Kingdom of Heaven” is a magnificent epic film that recalls the power of David Lean’s epics and allows Scott’s historical drama to breath. If you’ve seen the theatrical cut you owe it to yourself to see this major film from a major talent.
The film is presented like the “Lord of the Rings” deluxe sets with the film spread over two discs. Featuring a beautiful anamorphic transfer this version of the film actually looks superior with less issues with digital artifacts when compared to the previous edition of the film. The 5.1 audio presentation sounds wonderful with both a 5.1 and 5.1DTS track that makes exceptional use of the format. You’ll feel like you’ve put plopped down into the middle of the battle sequences in the action sequences and there’s wonderful ambient sound effects sprinkled throughout the film even during sequences that are dialogue driven.
Special features are terrific in this set. We start off with an introduction by Scott discussing the “Director’s Cut” compared to the theatrical version of the film. Featuring Scott, writer William Monahan and actor Orlando Bloom the first commentary track (it was recorded separately and pieced together) becomes a rich resource of trivia beginning with the origin of the project and how Scott and Monahan ended up working together. The second commentary track has visual effects director Wes Sewell, assistant director Adam Somner and producer Lisa Elizey discussing the technical aspects of the shoot and the challenges they faced covering everything from the use of digital and on set effects to second unit photography. The last commentary has editor Dody Dorn discussing the two different versions of the film. We also have production notes and information about the shooting of the film provided as text commentary.
The third and fourth discs have most of the supplements. Unfortunately neither has the excellent A&E documentary that was part of the two disc set so you may want to hold on to your other set if you haven’t sold it already. We have “The Path to Redemption” presented in six separate parts with each running anywhere from a half hour to twenty minutes a piece covering the making of the film. The first of the three parts include text, images, early screenplay drafts and notes on the shooting of the movie. The second part has cast rehearsals covering everything from the training with the weapons to costume tests. The third of the three parts has storyboards as well as a short documentary featuring scholars discussing the accuracy of the film.
The fourth disc features the last three parts on the film and includes video shot on location, storyboard galleries and photo galleries as well as deleted/extended/alternate scenes with optional commentary by Scott and editor Dorn. There’s also a section on the visual effects of the film as well as various sound elements to create the unique sound mix of the film presented in various stages. The last section features trailers, TV spots, the Showest presentation. There’s also footage from various premieres around the world, poster galleries, footage of the press junket shot on video, image and poster galleries as well as a brief featurette similar to the one done for “Gladiator: The Extended Version” that discussed the creation of this special edition.
An exceptional film that was badly butchered by Fox prior to its premiere due to skittish leadership at Fox, the film has finally been…
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