“I can’t imagine by now, when we’re on the cover of the LA Times yesterday and Roger Ebert is tweeting about us, that [Disney] hasn’t seen the movie or knows something about it, but we haven’t heard anything from them and I don’t even want to speculate on what their reaction would be.” – Escape from Tomorrow cinematographer Lucas Lee Graham

If you asked someone attending or covering the 2013 Sundance Film Festival right now which films are attracting the most attention, Escape from Tomorrow would likely make their list, but probably not for the reasons you think. The small, low-budgeted tale of a father’s slow descent into madness on the final day of a family vacation at Disney World is unusual, intimate and relatable – something you can tell came from a real personal place within director Randy Moore – and it’s especially memorable for its authenticity, including filming inside both Disney World and Disneyland without Disney’s permission.

You don’t technically need permission to film people in Disney World, per se, since thousands of people record home movies inside the parks every day. But technically this ain’t no home movie; it’s a well-shot feature film with a modest budget that premiered at the country’s most influential film festival, complete with a sales agent looking to find it distribution. The chances of Disney allowing that to happen, especially when this is a movie not made on their terms, are about slim to you’re out of your mind, and so where Escape from Tomorrow goes from here is anyone’s guess.

Before this gutsy debut moves on to its next chapter, Movies.com tracked down cinematographer Lucas Lee Graham, who was tasked with the overhwhelming responsibility of shooting an entire feature film inside Disney parks, a feat many are calling “the ultimate guerilla film.”

You can listen to or download our conversation below. Escape from Tomorrow still has additional screenings at the festival, and you can find out more here.

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