Nanny McPhee (Widescreen Edition)
MR CEDRIC BROWN HAS JUST LOST HIS WIFE & IS NOW LEFT WITH HIS SEVEN CHILDREN WHO MISBEHAVE SO MUCH THAT ALL THE NANNIES HAVE RUN AWAY. NOW HE IS TOLD BY A MYSTERIOUS VOICE THAT HE SHOULD GET NANNY MCPHEE WHO IS A MAGICAL WOMAN WITH SPECIAL POWERS.With hairy warts, a stern-looking unibrow and one extremely protruding buck-tooth, Nanny McPhee is a wonderfully comedic substitute for Mary Poppins in this entertaining family fantasy. By loosely adapting Christianna Brand’s Nurse Matilda children’s books of the 1960s, Oscar®-winning screenwriter Emma Thompson (Sense and Sensibility) has also given herself the plum role of Nanny McPhee, who can tame even the most unruly children with a tap of her magic walking stick. Her latest challenge is the bratty brood of a recent widower Mr. Brown (Colin Firth), who’s under pressure to find a new wife or lose his much-needed allowance from wealthy Aunt Adelaide (a tailor-made role for Angela Lansbury). His love for scullery maid Evangeline (Kelly Macdo
Rating: (out of 169 reviews)
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Review by Judith Lutz for Nanny McPhee (Widescreen Edition)
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After this movie was over the audience clapped. I loved every minute of it. I came away light-hearted and smiling. With a world full of dark smut and sadness at every turn I found the magical world of Nanny McPhee a delightful change. It was just what I wanted to see.
Don’t go to pick it apart, go for child in you, you won’t be sorry.
Review by nodice for Nanny McPhee (Widescreen Edition)
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Emma Thompson shines in her wonderful adaptation. Colin Firth, of course, plays the same British befundled love-sick hero he is in every film and Angela Lansbury should NEVER retire. I loved everything about this film from story, costumes, and casting. If you’re looking for a fun enjoyable film you can take the whole family to–look no further. Nanny McPhee has just the magic stick for you!
Review by Karen Vincent for Nanny McPhee (Widescreen Edition)
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In the past few years, it seems like all of the movies that are safe to take young children to are computer generated animation films full of adult humor. The kids are entertained by the animation – the parents by the adult humor. “Nanny McPhee” thankfully breaks the mold with a sweet story for everyone in the theater. Children identify with the young actors in the film and the story never drags. The six-year old who accompanied me is usually one who loves action cartoons, killing, shooting, etc. When we left the theater he said, “That’s the best movie I ever saw!” Thanks, Ms. Thompson, for reminding us about what children SHOULD be watching at the movies!
Review by Velma Paetro for Nanny McPhee (Widescreen Edition)
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I saw this movie 10 minutes ago in a hotel room. Immediately, I go to Amazon.com to see if I can buy it. This is how good the movie is. You want to own it and watch it again and again. The story is good (no doubt, if you have read the book). The director is good. Just love it. Highly recommended.
Review by Daniel J. Hamlow for Nanny McPhee (Widescreen Edition)
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That’s what Mr. Cedric Brown (Colin Firth), the widower father of seven children who’d take the team Olympic Gold for mischief-making does. Working at a funeral parlor with two silly assistants, Mr. Jowl and Mr.Wheen (Derek Jacobi), he relies on nannies to look after his offspring, but his childrens’ antics are all to drive away the nannies; in the case of Nanny Weston, they make as if they were eating the youngest, an infant.
Mcphee (Emma Thompson) arrives at the Brown resident one stormy night, and her profile silhouetted outside the door reminds me of the shudder one thinks when Alfred Hitchcock’s profile is shown on his show. If the Wicked Witch of the West from The Wizard of Oz and Mary Poppins were thrown together, one would get Nanny McPhee. She’s clearly no beauty, as she has two warts on her face, a swollen nose, and a tooth that hangs over her lower lip. She also carries a crooked staff which she taps on the floor in order to conjure magic.
She wastes no time in getting the kids well-behaved, especially in a scene where the children have invaded the kitchen in defiance of their father punishing them. Her way is akin to forcing a PS2 junkie to keep playing games until he either gets bleeding controller blisters or his eyes pop out of his skull. Result, he’ll have had enough.
Brown is gratified that her only conditions are that she teach his rambunctious kids five lessons and that she requires Sunday afternoons off. The lessons include saying please and thank you, going to bed on time, getting up on time, and doing what they’re told. And mysteriously, when one of the lessons are learned, her warts disappear until…
Brown though is quite ineffectual in enforcing discipline in the household, as he is wishy-washy and too busy at his job. It’s clear that the death of his wife, whom he still talks to via the empty chair she used to sit in, is still affecting him. His oldest, Simon says that he doesn’t care about or spend time with them like he did when their mother was alive. But he is living off an allowance from his forbidding Aunt Adelaide, and if he doesn’t marry by the end of the month, she’ll cut him off. The children will be sent to foster homes or put to work in the workhouses. He’s desperate enough to choose Selma Quickly, a disreputable and loudmouthed woman whose taste in colours are a garish dayglo fuschia and green, as a prospective new wife. Why not Evangeline, the scullery maid who’s learning to read and is concerned about the children?
Three performers from Love Actually are reunited. They are Colin Firth, Emma Thompson, and Thomas Sangster, who played Liam Neeson’s son. Thompson provides the film’s sole center of stability and rationality, a soothing contrast to the stiff eccentricity of Angela Lansbury’s Aunt Adelaide, and Celia Imry’s vulgar Quickly.
McPhee’s five lessons are values that seem to have been lost on the kids of today’s era. In fact, they seem to have more in common with the wild jungle mentality the Brown children have in the beginning. She tells her charges: “When you need me, but do not want me, then I will stay. When you want me, but do not need me, then I have to go.” Nanny McPhee effectively joins the ranks of Mary Poppins and Charlie and the Chocolate Factory in instilling good manners and values in children.