A story as relevant as yesterday’s headlines, or too late a tale? Some thirty years ago, Cinefantastique hailed Robin Hardy’s The Wicker Man as “the Citizen Kane of horror,” lauding the Anthony Shaffer-scripted story of a god-fearing police detective trying to solve a mystery within a community of Scottish pagans for its bold eroticism and cunning narrative. Now, Hardy has taken his own novel, Cowboys for Christ, and