Movies News
8 Times When Oscar Got It Wrong
The historical past of the Academy Awards is the historical past of out of doors observers complaining that the voters acquired it incorrect. (In its very first yr, Charlie Chaplin was nominated within the now-defunct “Best Directing – Comedy Picture” class — and misplaced.) And whereas our perceptions of Oscar errors usually have quite a bit to do with how films age and the way tastes change, generally it’s instantly obvious {that a} mistake was made. Here are some examples of selections from the most important classes that appeared like flubs proper out of the gate.
Best Picture: “Crash” over “Brokeback Mountain” (2005) Fifteen years later, this one nonetheless stings. A genuinely nice movie, one which’s each traditionally vital and nonetheless emotionally highly effective, will get crushed by a gimmicky film that takes an vital topic and grinds it into ham-fisted theatrics and excessively on-the-nose writing. There are many theories behind the “Crash” win — from its studio’s blanket protection of awards voters with early DVD screeners to older Hollywood veterans refusing to look at the gay-cowboy film — however regardless of why it occurred, it was as a lot a mistake then as it’s now.
Best Actress: Grace Kelly, “The Country Girl” over Judy Garland, “A Star Is Born” (1954) Garland’s character on this musical remake wins an Oscar, however the actress was denied one in actual life, regardless of giving a efficiency that also feels as uncooked and highly effective 65 years later. Kelly is doing positive work, though not wherever close to Garland’s stage; she did, nevertheless, observe the stratagem employed by so many ravishingly stunning main males and girls — take off the make-up and placed on an unflattering wig in order that voters can quantify how exhausting you’re appearing.
Best Actor: Roberto Benigni, “Life Is Beautiful” over Ian McKellen, “Gods and Monsters” (1998) One of the largest beneficiaries of disgraced mogul Harvey Weinstein’s talent at managing an Oscar marketing campaign is writer-director-star Roberto Benigni, whose squicky “Life Is Beautiful” by some means acquired taken significantly as an vital piece of Holocaust cinema. The movie was nominated for seven Oscars and received three, together with a Best Actor trophy for Benigni’s broadly mugging efficiency, an accolade that ought to have gone to McKellen’s quietly determined portrait of getting old homosexual director James Whale.
Best Supporting Actress: Ingrid Bergman, “Murder on the Orient Express” over Valentina Cortese, “Day for Night” (1974) Bergman is among the display screen’s all-time greats, however as somebody (perhaps Katharine Hepburn, however nobody appears positive) as soon as famous, “The right people win Oscars, but almost never for the right movies.” Her work on this all-star whodunnit is completely positive, nevertheless it barely ranks amongst her personal finest performances (together with her earlier Oscar-winning position in “Anastasia”), not to mention the best examples of that yr. Cortese, one other veteran actress, had an exemplary flip in François Truffaut’s traditional film about moviemaking, as an getting old star whose outsized character hides her panic over dropping her talents.
Best Supporting Actor: Michael Caine, “The Cider House Rules” over Haley Joel Osment, “The Sixth Sense” (1999) In his acceptance speech for his second Oscar, Caine graciously famous, “Haley, when I saw you, I thought, ‘Well, that’s me out of it.’” And he was proper to assume so — after we…