Richard Rodgers, composer (1902-1979) Emmy: Outstanding Achievement in Original Music Composed, “Winston Churchill: The Valiant Years” (1962) Grammy: Best Show Album, “The Sound of Music” (1960); Best Original Cast Show Album, “No Strings” (1962) Oscar: Best Song, “It Might As Well Be Spring” from “State Fair” (1945) Tony: three for “South Pacific” (1950); one every for “The King and I” (1952), “The Sound of Music” (1960) and “No Strings” (1962)
Helen Hayes, actress (1900 – 1993) Emmy: Best Actress, “Schlitz Playhouse of Stars: Not a Chance” (1953) Grammy: Best Spoken Word Recording, “Great American Documents” (1977) Oscar: Best Actress, “The Sin of Madelon Claudet (1932); Best Supporting Actress, “Airport” (1970) Tony: Best Actress in a Drama, “Happy Birthday” (1947); Best Actress in a Drama, “Time Remembered” (1958)
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Rita Moreno, actress (1931 -) Emmy: Supporting Actress, Variety or Music, “The Muppet Show” (1977); Lead Actress for Single Appearance in a Comedy or Drama, “The Rockford Files” (1978) Grammy: Best Recording for Children, “The Electric Compan” (1972) Oscar: Best Supporting Actress, “West Side Story” (1961) Tony: Best Supporting Actress in a Play, “The Ritz” (1975)
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John Gielgud, actor (1904 – 2000) Emmy: Best Actor in a Miniseries or Special, “Summer’s Lease (1991) Grammy: Best Spoken World Album, “Ages of Man” (1979) Oscar: Best Supporting Actor, “Arthur” (1981) Tony: Outstanding Foreign Company, “The Importance of Being Earnest” (1948); Best Director of a Drama, “Big Fish, Little Fish” (1961)
Audrey Hepburn, actress (1929 – 1993) Emmy: Best Individual Achievement, Informational Programming, “Gardens of the World With Audrey Hepburn” (1993) Grammy: Best Spoken Word Album for Children, “Audrey Hepburn’s Enchanted Tales” (1994) Oscar: Best Actress, “Roman Holiday” (1953) Tony: Best Actress in a Drama, “Ondine” (1954)
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Marvin Hamlisch, composer (1944–2012) Emmy: Four awards, two for work on “Barbra: The Concert” (1995) and one every for “AFI’s 100 Years… 100 Movies” (1999) and “Timeless: Live in Concert” (2001) Grammy: Four awards in 1974, together with Best New Artist, Song of the Year (“The Way We Were”), Best Album of the Original Score (“The Way We Were”) and Best Pop Instrumental Performance (“The Entertainer”) Oscar: Best Original Dramatic Score and Best Song, “The Way We Were” (1973) and Best Adapted Score, “The Sting” (1973) Tony: Best Musical Score, “A Chorus Line” (1976)
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Jonathan Tunick, music director and composer (1938 – ) Emmy: Music Direction, “Night of 100 Stars” (1982) Grammy: Best Instrumental Arrangement Accompanying Vocals, Cleo Laine’s “No One Is Alone” (1988) Oscar: Best Adapted Score, “A Little Night Music” (1977) Tony: Best Orchestrations, “Titanic” (1977)
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Mel Brooks, performer, author and director (1926 – ) Emmy: Best Writing in Variety, “The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special” (1967); three awards for Best Guest Actor in a Comedy, “Mad About You” (1997-99) Grammy: Best Spoken Comedy Album, “The 2000 Year Old Man in the Year 2000” (1998); Best…