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Mistress of Evil’ Have a Post-Credits Scene?

It could on the floor appear to be it’s unusual that Disney would make a sequel to “Maleficent,” contemplating it’s a retelling of “Sleeping Beauty” and each variations of the story finish with a “happily ever after.” But then again, the previous folks story model of the Sleeping Beauty story did have extra stuff go down after that completely happy ending, however after all “Maleficent: Mistress of Evil” doesn’t take a lot from that darkish supply materials, as an alternative taking its personal path and constructing out fairly an attention-grabbing little fantasy universe.

Regardless of whether or not you or I feel “Maleficent 2” ought to exist, nonetheless, the actual fact stays that it does, and is in theaters proper now. And with Disney turning this right into a franchise and taking the entire thing in a loopy new path, plenty of people are going to understandably surprise if there are extra “Maleficent” films in retailer.

And since this can be a franchise now, you’re most likely questioning if this film does the franchise factor of teasing a possible future film with a bonus mid-credits or post-credits scene.

While I can’t inform you whether or not “Maleficent 3” will ever occur as a result of I don’t know, I can inform you that “Maleficent: Mistress of Evil” doesn’t comprise any further scenes throughout or after the credit. Once the film ends and the credit start, there’s no different content material you should stick round for.

That stated, we do at all times encourage all moviegoers to stay round by the credit out of appreciation for all of the laborious work that introduced what you simply skilled to life. But should you gotta go, you gotta go.

“Maleficent: Mistress of Evil” brings again a bit of the forged from the primary movie: Angelina Jolie, Elle Fanning, Sam Riley, Juno Temple, Imelda Staunton, and Lesley Manville. It provides Harris Dickinson, changing Brenton Thwaites as Prince Phillip, Michelle Pfeiffer, Chiwetel Ajiofor, Ed Skrein, David Gyasi and Robert Lindsay. It’s directed by Joachim Ronning.

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