“Sandy Wexler” (2017) Rotten Tomatoes Rating: 33%
“There’s no way to recommend it, yet I wouldn’t ask for my two hours back (though I do wish that they could have been sped up somewhat)” New Yorker critic Richard Brody wrote.
“The Week Of” (2018) Rotten Tomatoes Rating: 27%
“The best that can be said about ‘The Week Of ‘is that it at least tacks some heart onto an otherwise stale, mothball-scented set-up,” EW critic Chris Nashawaty wrote in 2017.
New Line Cinema
“Little Nicky” (2000) Rotten Tomatoes Rating: 22%
“Like spending 84 minutes in Hell,” critic Christy Lemire wrote when it hit theaters in 2000.
“That’s My Boy” (2012) Rotten Tomatoes Rating: 20%
“Vulgar, trite, sexist, misogynist, hacky, tacky, gross, sentimental and stupid, with occasional flourishes of racism and veiled homophobia thrown in to boot,” TheWrap’s Alonso Duralde wrote in his 2012 evaluate.
“Just Go With It” (2011)Rotten Tomatoes Rating: 19%
“An early contender for worst movie of the year. If they were showing this on an airplane, I’d ask for a parachute,” Richard Roeper wrote in 2011.
“Pixels” (2015) Rotten Tomatoes Rating: 17%
“A middle finger aimed right at the audience,” The Verge critic Bryan Bishop wrote in 2015.
“I Now Pronounce You Chuck & Larry” (2007) Rotten Tomatoes Rating: 14%
“Even unrepentant homophobes deserve funnier,” Chicago Tribune Michael Phillips wrote in his 2007 evaluate of film about two firefighters who fake to be homosexual to get advantages of a home partnership.
“Grown Ups” (2010) Rotten Tomatoes Rating: 10%
“I felt a deep sadness every time the audience laughed and the sounds of their chuckles turned into the ringing of the cash register, and all I thought was a grim, simple truth: This, America, is why we can’t have nice things,” critic James Rocchi wrote of the 2010 reunion flick starring a few of Sandler’s finest buddies.
“The Cobbler” (2015) Rotten Tomatoes Rating: 9%
“A movie like this, in which not a single scene comes together, in which almost nothing makes you laugh or cry or think, reminds you that it’s truly a miracle when movies work at all,” Pulitzer Prize winner Wesley Morris wrote in 2015 concerning the surprisingly dangerous movie from “Spotlight” director Tom McCarthy.
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