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Seeing Palestinian Pain as Art on the Other Israeli Film

As I sit right here, writing about Palestinian movies and The Other Israeli Film Festival, rockets lobbed from Gaza are falling as soon as once more in Israel, wreaking havoc and terror. The rockets don’t fall on deaf ears — as a substitute they’re the percussive anthem that scores the Middle East whereas shaping the futility of peace. We are compelled to pay attention. We should pay attention. As Israelis and Arabs take cowl, they’re joined within the fallacy that existence is conflict. I grew up being informed to hate my enemy. As a Jew who was far faraway from Israel, I lastly traveled there solely to search out Arabs and Israelis strolling collectively, consuming collectively, talking and loving collectively.

Not all of them, simply these seen to an American seeking a solution.

If The Other Israeli Film Festival, now underway in New York City, accomplishes something, it’s that artwork is inclusive and movie is a automobile for social change. Who knew that these perceived enemies of Israel had their very own story to inform, and the way their story is our story? Who knew that what brings us collectively is way more highly effective than what drives us aside?

Nof Atamna-Ismaeel, Palestinian chef and the primary Arab to win Israel’s model of “Top Chef,” makes a hopeful remark within the documentary “Breaking Bread”: “It’s up to the artists to bring us together, the politicians have failed.” These could be the most impactful phrases since Lincoln  requested, “Do I not destroy my enemies when I make them my friends?”

This recipe for tolerance, nestled in a movie by Beth Elise Hawk that celebrates delicacies diplomacy, lies beneath the effervescent pots of Syrian stews and plates of Israeli hummus, high heavy with the legacy of native traditions that date again centuries. They are the creation of a collaborative effort between Israelis and Arabic/Palestinian cooks. It can be the hallmark of a movie pageant that’s extra a stage for social commentary than it’s for the artwork of movie.

As Nof says, “Being stuck in the middle is the best thing, because you get to be this and that, and enjoy both worlds.”

As joyous the cooks have been in offering sustenance in “Breaking Bread,” Bassam Jarbawi’s “Screwdriver” addresses the frustrations and trauma of Ziad, a younger man recent from jail after a mistaken id killing. Ziad’s decompression solely extends the hopelessness of his incarceration. What is most compelling about this movie, which can shut the Other Israeli Film Festival, is the way it communicates that freedom to some is a jail to others.

The realization that those that Ziad took a fall for are sustaining lives which can be, if not guilt-free, then comfy. They dine in eating places, they construct homes, they commune regardless of the setting and political circumstances, whereas Ziad falls sufferer to the identical. “Screwdriver” is a exceptional movie in that there’s something that’s identifiable to anybody who has operated beneath oppression — and who hasn’t?

If these two movies are any indication of what may be seen at The Other Israeli Film Festival, then it turns into apparent that this pageant’s affect is extra about society than it’s concerning the artwork of movie.

What tradition has not been spindled, folded, mutilated — tortured and confined? It appears that the Palestinians are getting it from all sides — and their solely recourse is to succeed in out by way of the humanities. You in all probability gained’t discover a movie like this taking part in to right-wing Israelis.  You in all probability gained’t discover a movie like this taking part in to hard-line Palestinians both. The sympathies and empathies of change seldom occur in inflexible minds — besides when a movie like this presents an alternate view.

Isaac Zablocki, the director of the pageant, described this yr’s films are the most effective within the historical past of the occasion: “I’ve beloved all of the movies…

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