How did you get into the industry?
I started out as a dancer in musical theater, which gave me my first foray into costume design for stage. After hitting an all-time personal low years later, I needed to reinvent myself, so I decided to go to fashion design school. While there, a film production was looking for someone to build some very specific ballet tutus for a scene. I leapt at the opportunity and became totally enamored with the magical world of film making. After that, I basically stalked a production designer for about a year until he finally gave me my first opportunity to design for a film. That was roughly 20 years ago, and I’m still enamored today!
What’s a typical day like for you?
I’m up at 6 a.m., unless I have to be onset earlier. Then I’ll check my social media, hop onto InStyle.com, Vogue.com then Matchesfashion.com (I am obsessed with them), answer east coast emails then…get out of bed! After that every day is, in no particular order, a mixture of meetings, shopping, sourcing, fittings, designing characters’ closets, set visits and some days, flying from one city to the next. Full and fabulous!
Tell us about your workspace décor.
The location of my office is always changing and could be in any city, depending on where we’re shooting. But the layout and the contents are almost always the same: I love lots of natural light. I always have a fitting room in my office, with a photo booth. I like the cast to feel “the process” of their characters when they come for fittings. So typically they’ll see look books, and my walls covered in inspirational pieces—everything from fabrics swatches, magazines tears, illustrations and numerous objects d’ art. And my ever-present rack of “Cynthia’s special picks” which always, at some point, involve sequins!